I’ve been wondering if pigment could be made from clay and I learned that it can from a book called, “The Complete Decorated Journal” by Gwen Diehn. First I used clay from the Matanuska River flowing near us. It is a glacier-fed river with lots of silty clay along the shore. There is also a stream a few miles away near Sheep Mountain with golden-yellow mud along the bank. Perfect for pigment!
I started by mixing the silty clay with water, then strained it through a fine mesh sieve. That got rid of the sand. Using several layers of cheesecloth, I strained it again. Finally, I strained it through a terry cloth. I tried to use a tee-shirt as suggested in the book, but I couldn’t get anything but clean water to go through it. After allowing the muddy water to settle, I poured the clear water from the top and allowed the remainder to dry to a pudding-like mud, then mixed in several drops of gum arabic.
I used the silty river pigment to paint this scene of the Matanuska River below. I was so disappointed with the deadness of the color.
Painting with the river pigment is like painting with…well, mud. Watercolor pigment should be responsive by moving across the paper, not turning to sludge. I repeated the process with the Sheep Mountain mud. This was entirely different! This pigment was rich and moved across the paper beautifully.
This sketch below is looking over the Matanuska River, very near our home. I used some of the Sheep Mountain mud and none of the silt from the river.
The sketch below is of a neighbor’s house.
The leaves have been gone for a while, but it was fun to paint them when they were golden.